Author: Angela

Book Reviews are Moving!

While I hope my book reviews move you emotionally, in this case I’m talking about a change in location.

I love reviewing books for so many reasons:

I have been reviewing books on my blog for a couple of years now. But over time I’ve noticed a shift in how people engage with book reviews.

I’ve been sharing book reviews informally on social media for a while. I noticed that social media review get more reach than do blog posts. Reading will happen no matter where I share, but if I want to reach readers and shine a light on good books, I need to go where the people are.

 

After a lot of thought (and some handwringing) I have decided to shift to reviewing books on my social media accounts – primarily Instagram. My account is open, so you can view it without creating an Instagram account, though I do reshare to Twitter and Facebook as well.

 

View this post on Instagram

 

This book… *Sharp exhale* 📚 I read a lot, y’all. This is my 69th novel or novel-length book in 2018. So when I say this book is a rare gem, I know what I’m talking about. I’ve read a lot of middle grade books that deal with tough topics, but this left me gutted. 📚 I mean that in the best way possible. 📚 This is one of those books that gets you so deep in the feels that you end up screaming at the characters on the page. That will have you sobbing or throwing the book across the room. 📚 This book GETS IT in a way that’s hard to describe if you’ve never had your back against a wall. If you’ve never had to claw your way to a better life with nothing but determination and your fingernails. 📚 I will be thinking about THE BENEFITS OF BEING AN OCTOPUS for years to come. . #booksofinstagram #books #bookrecommendations #bookreview #kidlit #kidlitpicks #middlegrade #thebenefitsofbeinganoctopus @annbradenbooks

A post shared by Angela Isaacs (@aisaacswrites) on

 

I will still do some larger book review posts – like my yearly holiday season list of books for all ages and lists that cover topics that aren’t addressed other places.

2018 List of Books to give to kids: Kids books for every age and stage: Baby to Teen and everything in between

Here’s to more reading!

Nevada SCBWI Conference and Mentorship 2019

Last night I got back from a jam-packed weekend in Las Vegas. I was there for the Nevada SCBWI Pitch Perfect Conference and to kick off my mentorship program with Jim Averbeck.

 

I also snuck in a few hours of sight-seeing.

 

I love writing conferences – I always learn a ton and come home excited to work on my manuscripts. In fact, I wrote so many notes that the fountain pen in the next photo was over half empty when I got home. To put that in perspective, that’s the ink equivalent of a couple of ballpoint pens or more. That’s a lot of writing!

 

But it’s also just plain fun to hang out with people who love books as much as me.

This was my first writing conference outside of Illinois, so I can now say that writers everywhere are some of the kindest, loveliest humans on the planet. I’m running on fumes today because I stayed up every night chatting with my fellow conference-goers. It was definitely worth it.

Three days into my mentorship, I’m also excited to jump into revisions. Getting critical feedback on your work isn’t easy – but right now I’m excited to see these picture book manuscripts turn into something amazing.

**cracks knuckles** Ok, let’s get to work.

 

I Pray Today: Free Lesson Plans, Activities, and Resources

I Pray Today book: free lessons, activities, and resources for classes or families

In addition to writing children’s books, I also write and edit curriculum for all ages. One thing I love is using that expertise so that my readers can enjoy my books even more.

I Pray Today is written for the littlest booklovers – babies and toddlers. But the themes and ideas are big ones. So I have pulled out those ideas and used them as the basis of lessons and activities for older children.

There are lessons and activities for preschoolers to middle schoolers. Each is tailored to the understanding and interests of a particular age, but flexible enough to be used with a variety of ages.

They’re easy to use, and bonus material and resources can be used to build on the lessons.

 

GET THE LESSON GUIDE NOW

 

And be sure to check out the lessons I wrote for Goodnight Jesus.

Resources for Goodnight Jesus

Women in STEM Picture Books

Picture Books about Women in STEM

Each month I spread a little love for some lovely books with monthly book reviews.

March is women’s history month, so this month I’m sharing women’s history books that focus on something I love: STEM. Check out these real stories of amazing women all of whom pursued their passions and became experts in science, technology, engineering, or math despite all the odds.

 

Science: The Girl Who Thought In Pictures: The Story of Dr. Temple Grandin by Julia Finley Mosca and Daniel Rieley

Book Cover Art: The Girl Who Thought In Pictures: The Story of Dr. Temple Grandin

When young Temple was diagnosed with autism, doctors told her mother she would never speak or be able to fit in. They told her to send Temple away. But her mother did not give up. Neither did Temple. As she grew older, Temple found that her visual thinking and attention to detail were strengths. She revolutionized farming and found her voice as a speaker who travels the world.

The Girl Who Thought In Pictures on Indiebound

 

Math: Counting on Katherine: How Katherine Johnson saved Apollo 13 by Helaine Becker and Tiemdow Phumiruk

Book Cover Art: Counting on Katherine

Katherine Johnson loved to learn and loved math. But growing up in the segregated South – she had to fight to continue pursuing her passion. Her perseverance not only let her reach her dreams, but also made spaceflight possible.

This is the same Katherine Johnson who was featured in the book-turned-movie Hidden Figures, which I have recommended before. While there is a middle grade edition of Hidden Figures, I was delighted to this important story told in a picture book format for younger kids.

Counting on Katherine on IndieBound

 

Technology and Engineering: Ada Byron Lovelace and the Thinking Machine by Laurie Wallmark and April Chu

Book Cover Art: Ada Byron Lovelace and the Thinking Machine

Long before there were computers, Ada Byron Lovelace had too much imagination and love of learning to listen when people told her a woman could not be a scientist. She meets a man named Babbage with a similarly impossible dream: a thinking machine. But how to give it commands? Ada goes to work developing a code to talk to this mechanical computer. She ends up inventing computer programming before computers even existed.

Ada Byron Lovelace and the Thinking Machine on IndieBound

 

Science: Joan Proctor Dragon Doctor: The Woman Who Loved Reptiles by Patricia Valdez and Felicita Sala

Book Cover Art: Joan Procter, Dragon Doctor: The Woman Who Loved Reptiles

Joan always loved reptiles – while other girls carried around dolls, she had a pet crocodile. When all the men were called away to war, she got her chance: she got a job working with the reptiles she loved. Eventually, she became a leading expert in reptiles sharing her knowledge so the world would understand just how loveable reptiles could be.

Joan Procter, Dragon Doctor on Indiebound

 


You can find more book reviews on my book review page.

200+ Children's Book Reviews

 

How a Children’s Book is Made: Part 2. The Illustrator’s Speak

How A Children's Book is Made: Part 2: How Books are Illustrated

Welcome to my blog series on how children’s books are actually made. Last time, I explained illustration from the author’s perspective. This time, we’ll look at how the illustrator does their job.

I’m not an illustrator, so I’m going to let them speak for themselves. I’ve gathered together videos and blog posts of different illustrators explaining their process.

First, let’s talk about how illustrations are made and what the process of working with an editor is like. Second, we’ll cover how to get started in illustration.


How Illustrations are Made

Lynne Chapman

First up is the illustrator Lynne Chapman who has illustrated over 30 picture books.

In my last post, I explained how the editor at the publishing company works as a matchmaker to pair the right illustrator with each manuscript. Lynne picks up there to explain what the process looks like from her side of the bookmaking process.

An editor will contact an illustrator to see if they want to work on the project. If the illustrator agrees, they’ll start making the art.

Often the illustrator will discuss the artwork ahead of time with the editor or art director. Together they will develop an overall vision or discussing what to put on each page. Sometimes not.

Often the illustrators will spend time developing character sketches before making the rest of the artwork. They may make thumbnails or other rough sketches of their work. Sometimes not.

But once the illustrator develops the line art, they will usually send it off to the editor to get their feedback.

Illustrators don’t finalize the artwork (adding color etc.) until after everyone at the publishing house is satisfied with the line drawings.

If you want to learn more about Lynne’s process, she has even more videos on her blog. 

 

Will Hillenbrand

Next up: Author/Illustrator Will Hillenbrand has done an amazing 70 picture books.

Each artist has their own process. The way I create my manuscripts is not the same as another writer, though some parts of the process are similar: we all revise. (And revise. And revise. And…)

The same is true for illustrators.

While Lynne drew her illustrators by hand with physical materials (paper, pencils, paint), in this video Will is using computer software that allows him to draw on a tablet with a stylus.

 

Isn’t this video soothing?

Notice that although the medium is different (paper vs. computer), both Lynne and Will go through a similar process: they create a rough sketch, refine it until they’re satisfied with the line art, then begin to color it in. Whatever you call it, revision really is universal.

Will has a video blog series full of more nuggets you can check out.

 

Debbie Ridpath Ohi

Debbie Ridpath Ohi is the author/illustrator of five picture books. She also creates cartoons about writing and reading that are on point.


(I have asked people weirder questions while writing.)

 

In this video, she shares how she created one of her cartoon images. Like Will, Debbie is creating this piece using computer software. And you can see how she refines her initial idea – trying variations, tinkering, and making adjustments until she lands on a final version she is happy with.

There are more videos on her YouTube channel.

Debbie’s blog is chock-full of information and goodies.

Book Cover: Where are my books

Check out Debbie’s series on the creation of her picture book, Where Are My Books. Since she was the author of this book, the first parts of the series cover writing the book. The last part of the series talks about how she created the illustrations for it.

While you’re at it, read her whole FAQ and you will learn a ton about illustrating, writing, and kidlit.

How to Get Started in Illustration

For anyone wanting to be a children’s book illustrator, this is a burning question: how do I get editors to offer me those kinds of illustrating jobs.

The Society of Children’s Book Writers and Illustrator’s (SCBWI) is the professional organization for kidlit writers and illustrators. On their page, they share a short version of the process of becoming an illustrator. 

But we can also revisit one of our illustrators to see what she has to say.

Here Lynne Chapman shares her story of how she became a children’s book illustrator:

 

These days, illustrators typically send portfolios to art directors, art agents, or show them at conferences like those hosted by the SCBWI. If you entice them with the quality of your work, they will contact you to discuss illustrating a book.

However you get your big break, the starting point is the same: work really hard by practicing your art, perfecting your craft, and learning about the business. Joining the SCBWI is a great first step as it gives you a wealth of resources.


If you missed my first post in the series, check it out below. Next time, I’ll discuss the different paths authors can take to publication in more detail. Stay tuned!

How Children's books are Made: Part 1. The Truth About Illustrations

Horse books for Kids: True stories and Favorite Fiction

Horse Stories for Kids: True Stories and Favorite Fiction

Deb Aronson HeadshotFor this month’s Kidlit book roundup, I’m happy to welcome my friend, Deb Aronson. Deb was one of my first writer friends; she welcomed me into our local writer community way back when I was just beginning to learn the ropes. Somehow she stayed my friend despite seeing those early draft.  *Shudder*

We’re still friends all these years later and maybe one day I’ll even let her convince me to get on her sailboat. (Maybe…)

Today Deb shares some of her favorite books about horses. Deb knows a thing or two about horses – she wrote the book Alexandra the Great: The Story of the Record-Breaking Filly who Ruled the Racetrack. Take it away, Deb!

Book Cover Art: Alexandra the Great: the Story of the Record-Breaking Filly who Ruled the Racetrack by Deb Aronson


 

Many classic horse stories celebrate the magical connection between humans and horses, of course. Some of my favorites include My Friend Flicka, Misty of Chincoteague, and War Horse. But with racehorse stories, there is an added layer of human and horse joined in an effort to realize their full potential. To me, these stories have a special energy.

Book Cover art: MY FRIEND FLICKA   Book cover art: Misty of Chincoteague    Book Cover Art: War Horse

Do You Love Sports Stories? Then give these books a try.

Racehorse stories are, at their heart, sports stories. Those that excel are just as Olympian in their achievements as swimmer Michael Phelps or gymnast Simone Biles. There is the thrill of victory and the agony of defeat. There is the love and care the horse’s human handlers feel for their special horses. They communicate deeply, even if they do it without words. Granted there are also tragic tales at the racetrack, such as when a horse breaks down from a bad step, or when a jockey falls and is permanently injured. There is risk. But for every story of risk there is also the possibility of redemption.

Rachel Alexandra At the Kentucky Oaks
The filly, Rachel Alexandra, at the Kentucky Oaks

If you hesitate to read about racehorses because of the stories you hear about them being mistreated, I would say to you that those stories are aberrations. True horsemen and horsewomen do not do that to their charges. They care deeply about their horses, even more deeply in some cases than for their human connections. Not surprisingly, you will not read children’s books about those kinds of people.

 

The Big Red Horse: The Story of Secretariat and the Loyal Groom Who Loved Him by Lawrence Scanlan

Tween Nonfiction

Book Cover Art for: The Big Red Horse: The Story of Secretariat and the Loyal Groom Who Loved Him

So, let me tell you about some of my favorite racehorse stories. One is The Big Red Horse: The Story of Secretariat and the Loyal Groom Who Loved Him, by Lawrence Scanlan (Harper Collins). Secretariat won the Triple Crown in 1973. He won the last race in the series, the Belmont, by a shattering 31 lengths and his time remains the American record for 1.5 miles on dirt more than four decades later. Scanlan does a great job showing Secretariat’s laid-back personality and his love of racing. It comes as no surprise that any true story about a horse will also tell the story of that horse’s handlers. In Scanlan’s book, we enjoy learning about Secretariat’s devoted groom, Eddie Sweat, and the special bond the two of them had.

 

Come on Seabiscuit! by Ralph Moody

Tween Nonfiction

Book Cover Art: Come on, Seabiscuit!

Another inspiring story is Come on Seabiscuit! by Ralph Moody (University of Nebraska Press). There have been many books written about Seabiscuit, including the highly acclaimed adult book, Seabiscuit: An American Legend, by Laura Hillenbrand, not to mention a movie. Moody’s book is targeted for upper middle grade readers and has several pencil sketches, though no photographs.  One reason Seabiscuit’s story is so grand is because it is truly one of redemption. Set in the 1930s, it is a story of how the love, expertise and careful attention of trainer Tom Smith and jockey Red Pollard created a bond so wonderful that Seabiscuit changed from an ornery, nervous, injured and slow racehorse to a gentle, calm, strong champion who beat War Admiral, winner of the Triple Crown and the acknowledged champion horse of the country.

 

Seabiscuit the Wonder Horse by Meghan McCarthy

Picture Book Nonfiction

Book Cover Art: Seabiscuit the Wonder Horse

Although Come on Seabiscuit is for older readers, a more recent picture book by Meghan McCarthy, Seabiscuit the Wonder Horse (Simon & Schuster Books for Young Readers) would be a great read-aloud for younger readers. McCarthy’s illustrations are delightful and she does a great job of telling the story of Seabiscuit’s match race with War Admiral.

American Pharoah: Triple Crown Champion by Shelley Fraser Mickle

Tween, Nonfiction

Book Cover Art: American Pharaoh: Triple Crown Champion

In American Pharoah: Triple Crown Champion (Aladdin), by Shelley Fraser Mickle, we learn the backstory of the 2015 Triple Crown winner, American Pharoah. Mickle tells American Pharoah’s story in such detail you can imagine being there in the stall with the even-tempered stallion. I also came away from the story with a better understanding of many of the humans connected with American Pharoah, from famous trainer, Bob Baffert, and jockey Victor Espinoza, to owner Ahmed Zayat, who I especially came to appreciate.

 

Northern Dancer: King of the Racetrack by Gare Joyce

Tween, Nonfiction

Book Cover Art: Northern Dancer: King of the Racetrack

And finally, I recently enjoyed a book about a less well-known racehorse, Northern Dancer.  In 1964 he was, as the book says, “the biggest newsmaker in the country’s sporting scene.” Northern Dancer is another story of an unlikely hero. He was not a regal-looking racehorse, but more in the model of Seabiscuit: chunky, short and plain looking. Having been bred in Canada, U.S. racing fans tended to underestimate him. Gare Joyce, the author of Northern Dancer: King of the Racetrack, describes him as “a horse with a competitive spirit and a lot of heart, so he was able to outrun a great number of better bred and more imposing horses.” Who doesn’t love an underdog story?!

 

Alexandra the Great: The True Story of the Record-Breaking Filly Who Ruled the Racetrack by Deb Aronson

Tween, Nonfiction

Book Cover Art: Alexandra the Great: the Story of the Record-Breaking Filly who Ruled the Racetrack by Deb Aronson

 

Although all these books are about male horses, I wouldn’t want you to think there are not accomplished fillies in the racing world too. However, the surprising thing is how few children’s books there are about them. One of the few is Alexandra the Great: The True Story of the Record-Breaking Filly Who Ruled the Racetrack (Chicago Review Press), written by yours truly. Because she raced against, and beat, male horses in three major races, hers is truly a girl power story. This book is the only one of those reviewed that has full-color photographs throughout the text.

 

See Racehorses in action!

If you enjoy these stories I would also recommend you watch some videos of their most famous races; these thoroughbreds are running machines!

Here is Rachel Alexandra winning the Preakness.


Horse books for kids

 

How a Children’s Book is Made: Part 1. The Truth About Illustrations

How Children's books are Made: Part 1. The Truth About Illustrations

Being an author is a funny thing: everyone has heard of your job. (Unlike my husband – a systems architect.)

But people don’t know what it is I actually do. (My husband and I have that one in common.)

Whether you’re a writer hoping to publish a book or a kidlit lover who is curious about the process, this series is the place to find out what really goes into making books for kids.

 


 

I’m a writer, not an illustrator. So it may seem odd that I would start off a series on making picture books by talking about illustrations.

Yet, when I tell people about being a children’s book author, the number one thing people ask about is the illustration of my books.

It comes up in a variety of ways:

  • How did you meet your illustrator?
  • I want to publish a book – how do I find an illustrator?
  • I’m an artist – can I illustrate your next book?
  • How did you know what to put on each page?

But however the conversation starts, it inevitably leads to me dropping this truth bomb on them:

Children’s book authors do not pick our illustrators.

And then comes the flurry of questions:

  • Wait, then how do you get an illustrator?
  • How does the illustrator know what images to make?
  • But…. what if the illustrator gets it wrong?
  • And why does it work this way?

So let’s tackle these one at a time.

 

How Do You Get an Illustrator?

Editors and Art Directors are matchmakers. Once they acquire a manuscript (i.e. decide to publish it) they find the right illustrator to match with the text.

Sometimes they will ask the author’s opinion. Usually not.

Yes, this can really stress authors out – especially the first time around.

For I Pray Today my editor paired my manuscript up with Amandine Wannert who had already illustrated books for them in the past. I’ve never met Amandine – she lives all the way in France! But personally, I think it was a perfect match for this book.

Book "I Pray Today" on a white background with flowers

 

How Does the Illustrator Know What Images to Make

Ready for another shock?

The illustrator decides what art to put on the page – along with the editor and art director. 

Note that the author is not in that list of people.

Authors can give general guidelines. For instance, when I sent my editor the query for I Pray Today, I told her that the manuscript

“follows a child through his day, from waking with a “Good morning, God,” to getting tucked in at bedtime – always with a prayer on his lips:

Good morning, God. The day is new. I say my first small prayer to You.         

Lord Have Mercy”

The last part is the opening of the manuscript. I never told them what to put on the page with it, yet it turned out perfectly.

I PRAY TODAY interior illustration

Author’s can (very very occasionally) include an art note to explain what illustration needs to go with a piece of text. This is reserved for cases where the text doesn’t make sense without the art. Giving a note helps the editor to understand the text in the same way that a reader would – with both text and art together.

For example, one part of I Pray Today includes the text:

Dad says dinner’s piping hot. I stuff in food, but – oops, forgot. 

Why does she say “oops?”

What did she forget?

Once you see the artwork, it makes perfect sense:

 

I PRAY TODAY interior spread 2

She forgot to pray first! In my manuscript, I included an art note to explain this: [ART: Kid starts eating before prayer.]

That’s the only art note in the whole manuscript because that’s the only one that was needed. Even then, I kept it to just what was needed to understand the text. I still left most of the decisions up to the illustrator: Who is at dinner? Are they at home, a restaurant, somewhere else? How will you show that she forgot to pray?

This came up recently. An adult reader contacted me on behalf of his child wanting to know: what are they eating? 

Good question! I really had no idea, since I hadn’t made that decision. So I sent it off an email to my editor who said:

Good question! And she emailed the illustrator to find out.

I had fun polling my friends on social media while I waited for the answer. Most people guessed chicken nuggets with either fries or green beans.

Well, we were a little bit right:

The Illustrator answers our burning question: what are they eating
the illustrator answers our burning question: Dear Jane, I like this question, it is really cute! Without colours, it is hard to guess… The little girl is eating “haricots verts et pommes noisettes”: french beans (green beans) and hazelnut potatoes (round french fries). Best, Amandine”

 

All in all, it was a lot of fun finding out the answer. (Also, I really want to try those pommes noisettes.)

 

What If the Illustrations Are Wrong?

This is the whispered question that everyone is dying to know but nervous to ask.

Aspiring authors especially seem to struggle with this. It’s scary to give up control of something you have worked so hard on.

Ready for another shocker?

It’s not just your book. It certainly feels that way – as an author, you come up with a concept, agonize over every word, and revise until your fingers fall off. But with a picture book or board book, text and illustration work together. They’re a package deal.

And also: It almost always works out wonderfully. I have worked with three different illustrators over seven books and, each time, I was blown away by their work. Every. single. time.

Goodnight Jesus interior pages

This spread from Goodnight Jesus is a great example. I gave the editor general guidelines for the form of this book, just like I did for I Pray Today. I told them it was a bedtime story focused on giving kisses – a child works their way toward bedtime but giving, and eventually receiving, kisses. But I didn’t specify how that should be shown. In my head, I imagined the child in their family icon corner kissing icons then moving toward bed giving out kisses as they go.

Instead, the illustrator put the child into the icons. I had imagined a static version, but he made it interactive. That makes for a more engaging illustration and book. Plus you can see both the love the child is giving AND the love the child is receiving. That’s a deep theological statement – but boiled down to a child’s level.

The two images together in ways I didn’t consider. Notice how the position of the two babies are mirror images of one another. Even Jesus’ body language mirrors Mary’s – each is cuddling a baby they love. That makes the images work together both on an aesthetic level,and a theological level.

The illustrator didn’t just show my story, he added to it in ways that deepened it. He brought a fresh perspective that allowed him to expand the story in meaningful ways. Which bring us to our next question:

 

Why Does it Work This Way?

Separating the text decisions from the illustration decisions isn’t a cruel thing done by evil editors. They are giving both artists – author and illustrator – the freedom to do their best work. I am not a visual artist. I don’t have the training or experience to make decisions about artwork.

No, the child in your book probably won’t look exactly like your granddaughter. The illustrations may not match what you envisioned. That doesn’t make it wrong.

If you can go in with an open mind, you’ll be able to appreciate the exceptional artwork that has been carefully crafted to enhance your story.

Secretly, I think that the editor’s and illustrator’s jobs are to make the author look good. The editor wants this book to succeed. The illustrator wants to produce excellent illustrations. All of which makes my book stronger and better than I could make it on my own.

So, no, authors don’t have illustration decisions about their books. But that’s just fine.

 

Next time I’ll share what the illustration process looks like for illustrators. We’ll pick up after the editor has paired them with a book text and see what it’s like from that side of the equation.

 

Winter STEM Picture Books

 

Winter STEM Picture Books

This year I’m continuing my monthly kidlit book reviews. Each month I will spread a little love for some lovely books. Usually, they will come out on the first Thursday of the month, but between holiday craziness and being on deadline, I’m already a little behind. Such is the writing life.

It’s sleeting out here on the prairies today. And as much as I want to pout and stomp my feet because I do. not. like. cold, I think I have to admit defeat. So this month for my Kidlit Karma books reviews, I’m sharing winter picture books with STEM content. Because books make everything better.

Science: Over and Under the Snow by Kate Messner and Christopher Silas Neal

Book cover art: OVER AND UNDER THE SNOW

I have recommended Over and Under the Snow before, but it’s worth reviewing again. Children love being let in on a secret and here the secret is hiding right under the snow beneath their boots. I love the way this book weaves together a sweet story of a child with STEM facts about animals in winter.

Make sure to check out the other books in the series like Up in the Garden, Down in the Dirt and Over and Under the Pond.

Over and Under the Snow on Indiebound

 

Science: Best in Snow by April Pulley Sayre

Book cover for BEST IN SNOW

The simple, lyrical text makes this story a good choice for even the youngest preschool scientists, but the beefy backmatter make this a good choice for older child scientists, too. The beautiful photograph illustrations invite reads to observe nature in great detail (without leaving the warmth).

Be sure to check out other books in the series like Full of Fall and Raindrops Roll.

Best In Snow on Indiebound

 

Science: The Story of Snow by Mark Cassino with Jon Nelson, PhD

Book Cover: THE STORY OF SNOW

This book is a delightfully detailed look at snow. How snow forms, the shapes it takes, and how you can observe them. Photographs show real snowflakes in sparkling detail.

The Story of Snow on Indiebound

 

Math: 100 Snowmen by Jen Arena and Stephen Gilpin

Book Cover Art for 100 SNOWMEN

This playful romp features 100 snowmen playing as only snowmen can. Count the snowman and add them up until you get to 100.

100 Snowmen on Indiebound

 


You can find more book reviews on my book review page.

200+ Children's Book Reviews

Happy New year! Goodbye 2018, Hello 2019

New Year 2019

It’s nearly the end of 2018, folks. It’s been a great year for me writing-wise.

 

Looking Back at 2018

 

2018 in Writing

I published my second board book, I Pray Today, and I had my first-ever blog tour.

Book "I Pray Today" on a white background with flowers  Blog tour for "I PRAY TODAY"

I revised my novel and got two new work for hire picture book contracts – six books total. I’m finishing up the fourth now and the other two will ring in the new year.

I officially won the 12×12 challenge for the second year running by writing 13 new picture book drafts.

 

2018 in Reading

2018 Goodreads reading challenge - 267 books of 500

I didn’t quite hit my goal to read 500 books again this year, but I’m still really happy with my total. In the past, I hit those high numbers because I read a lot of picture books, but this year I shifted my focus to more middle grade. I hit my goal of reading 75 middle grade or longer works.

 

2018 Author visits and more 

I got to teach classes at Purdue University on my favorite subject: writing for kids!

My Kidlit Karma project to blog reviews of books each month went really well! I reviewed or hosted reviews nearly every month.

 

Looking Ahead to 2019

2019 is already starting to fill up! My 2019 is likely to be just as busy as 2018 was. I have two more work for hire picture books to finish by the end of February, I was invited to join a small writers’ group for the first few months, and I’ll be finishing up my novel and begin querying it.

It’s likely to be another roller coaster!

 

Right now I’m working on setting my goals for 2019. If you’re doing the same, you might want to check out these posts on setting resolutions and goals.

Why Some Resolutions are Doomed to Fail and how to Set Goals that Work  DOs and DON'Ts for New Year's Resolutions You'll Actually Keep

 

And if you’re a writer or a planner, make sure to sign up for my mailing list so you can get my free bullet journal printable.

Free Printable Bullet Journal for Writers

Not sure what a bullet journal is or how it will help you meet your goals? I have a whole blog series that covers the basics of bullet journaling, my magical monthly spread, and collections just for writers.

 

Happy New Year, everyone!

2018 Successes – And Why Writers Sometimes Need to Brag

Right now I’m participating in the 12 Days of Christmas Challenge for Writers. Each day there’s a small reflection.

Yesterday I shared the Day 2 reflection on Instagram.


 

Today is Day 3 when we share our writing successes for the year. All of them. In public. GULP.

Although it makes me feel like a Braggy McBraggypants, I decided to bite the bullet and submit to my blog. Not because I want others to pat me on the back, but because acknowledging my successes is important for me personally.

Writing can be an emotional roller coaster, and most (all?) writers struggle to keep up their confidence and resolve in the face of constant rejection. Having the courage to openly acknowledge our accomplishments helps us see ourselves as successful and capable – things we need to keep going in this pursuit.

A lot of my successes this year happened because I pushed myself outside of my comfort zone. So **deep breath** let’s do it again and list it all out in public. In no particular order:

  1. Published my second kid’s book!
  2. Did my first author visits and readings. (I have anxiety about public speaking, so this was big for me.)
  3. Wrote FOUR Work For Hire picture books which is double my previous yearly total. I have two more due in 2019.
  4. Got to be a visiting scholar! I spent 4 days teaching college classes, giving an invited talk, and joining in on lab meetings. My first career was in academia, so I had a blast!
  5. Blogged book reviews (almost) every month!
  6. Tripled my newsletter subscription. (Which sounds impressive until you see the numbers. Lol.)
  7. Got 52 rejections! (That includes agents, editors, mentorship programs, awards, etc.) Here’s why getting a lot of rejections is a good thing for writers.
  8. Submitted to award and mentorship programs for the first time.
  9. In Pitchwars, I got two requests and a champagne rejection for my middle grade novel.
  10. Did a major overhaul of my author website.
  11. Did a blog tour for my new book.
  12. Completely revised my middle grade novel. (Like, burned it down and rebuilt from ashes. It was intense.)
  13. Wrote 13 new picture book drafts as part of 12×12.
  14. Finished Renee LaTullipe’s Lyrical Language Lab course which was excellent.
  15. Attended one online conference, one workshop, and one regional conference.
  16. Plotted out a new novel and did research for it. (Haven’t had time to write yet because of my book launch and work for hire books.)
  17. Kept up with THREE critique groups. Phew.
  18. Supported KidlitNation so they could host free monthly webinars and award scholarships so POC could attend a regional SCBWI conference.
  19. Did a webinar on KidlitNation.
  20. Blogged consistently! (Big accomplishment for me, lol.)
  21. Had my middle grade novel beta read for the first time and got good feedback. I’m rounding up more Beta readers for after the holidays.
  22. Was invited to be part of a writing coach’s new coaching group for women. She’s been coaching one-on-one for a while but we’re her beta session for doing it as a group, so I get to do it for free. Yay! And she reached out to me because I’m “a committed writer who is actively working on her craft”. Which was a nice compliment. 🙂
  23. Read 275 books this year! Usually, I hit higher numbers (500 in 2017) but after many years of focusing on picture books I made a conscious effort to read more MG this year since I write that as well. I’m currently at 73 books that are MG or longer and around 200 picture books. So the overall number is down, but I’m really happy with it.
  24. I won Storystorm in 2018!
  25. Ran an online accountability and support group and participated in another.