Category: I Pray Today

BIG List of Books for Kids: 2018 edition

2018 List of Books to give to kids: Kids books for every age and stage: Baby to Teen and everything in between

It’s that time of year again: where I try to convince you to buy books for every child you know this holiday season.

This is my fourth year putting together this list (!!!). It’s always a lot of fun to look back at what I read over the year – like revisiting old friends. I hope you will find some new friends on this list.

I’ve added some codes to help identify particular types of books:

NF = Nonfiction

H = Humor

Memoir

S = Series

 

And if you somehow don’t find a book on this list, check out the extra lists at the bottom of the post.

 

Babies and Toddlers

(Board books: Babies and toddlers)

I Pray Today book cover artBook Cover: Ciao, Baby! In the Park   Book Cover: Wee Beasties: Huggy the Python Hugs Too Hard

I Pray Today and Goodnight Jesus (You knew this was coming, right?)

Ciao, Baby! In the Park

Wee Beasties: Huggy the Python Hugs Too Hard (This series is great for toddlers)

See also: Roundup of 12 board Books

 

Child

(Picture Book: Age 3-8)

Book Cover: All are WelcomeBook Cover: Are we pears yet?Book Cover: Be KindBook Cover: The Day you Begin

All Are Welcome

Are We Pears Yet? NF H

Be Kind

The Day You Begin

 

Book Cover: the Diamond and the BoyBook Cover: EscargotBook Cover: The FieldBook Cover: Starring Carmen

The Diamond and the Boy: The Creation of Diamonds and the Life of H. Tracy Hall NF

Escargot H

The Field

Starring Carmen H

Book Cover: This is not a normal animal bookBook cover: We Don't Eat Our Classmatesbook Cover: When Penny Met POTUS

This is Not a Normal Animal Book H

We Don’t Eat Our Classmates H

When Penny Met Potus H

 

New Readers

(Early Readers: Age 6-9)

Book Cover: Super Happy Party Bears 1: Gnawing AroundBook Cover: Two Dogs in a Trench Coat Go to School

Super Happy Party Bears H S

Two Dogs in a Trench Coat Go to School H S

 

 

Graphic Novels

(Age 3-99, younger children will need an adult reader)

This July I did a round-up of these 6 great graphic novels. Check out the post for a full description of each book and find out why I think graphic novels should be a part of a child’s balanced reading diet.

Book Cover: Catstronauts: Mission MoonBook Cover: El DeafoBook Cover: Ghostsbook Cover: Phoebe and her Unicorn

Catsotronauts H S

El Deafo Memoir H

Ghosts

Phoebe and Her Unicorn H S

 

Book Cover: Real FriendsBook Cover: Zita the Spacegirl

Real Friends Memoir

Zita the Spacegirl H S

 

Tweens

(Middle Grade: Age 8-12)

Book Cover: Amal UnboundBook Cover: Counting by 7sBook Cover: Lockwood and Company Book 1: The Screaming StaircaseBook Cover: The Miscalculations of Lightning Girl

Amal Unbound

Counting by 7’s

Lockwood and Company: The Screaming Staircase S (Note: this book is sometimes classed as Young Adult but, besides some creepy ghosts, does not contain mature content that would be inappropriate for tweens.)

The Miscalculations of Lightning Girl

 

Book Cover: The Parker InheritanceBook Cover: Shark LadyBook Cover: The World's Latest DetectiveBook Cover: York: The Shadow Cipher

The Parker Inheritance

Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist NF

The World’s Greatest Detective

York: The Shadow Cipher S

 

Teens

(Young Adult: Age 13+)

Note that these books have mature content (roughly equivalent to PG13). This post gives tips for determining if a book is appropriate for your child.

Book Cover: The Astonishing Color of AfterBook Cover: The Poet XBook Cover: Turtles all the way down

The Astonishing Color of After

The Poet X

Turtles All the Way Down

 


Need more ideas? Check out these:

 2016 Big List of Books to Give to Kids

Big list of books to give to kids

200+ Children's Book Reviews

 

Announcement: Visiting Scholar and October Author Visits

I don’t know about you, but September was a whirlwind!

October is looking to be just as chaotically and beautifully busy. I’ve got a full load of travel and speaking engagements this month.

This week I’ll be at Purdue University as a visiting scholar! I’m leading workshops for a picture book writing class and giving a public talk:

Screenshot of Purdue talk description. Title: A Peek Inside the Children's Book Industry

I’m looking forward to being back in the classroom. Better yet, I get to talk about kidlit for nearly a whole week!

The only thing better than talking about kidlit, is sharing my books with real kids. I’m also working on scheduling author visits to parishes in Louisville, Kentucky, and Chicago, Illinois. Check back for details!

If you’re interested in having me visit your parish or class, contact me to find out details.

 

12 Books for Babies and Toddlers and Why They Work

12 Books for Babies and Toddlers and Why They Work

Earlier this month, I Pray Today, my second book for babies and toddler was published. Today is the last day of the blog tour to celebrate.

I’ve been working on book reviews all year, though. Each month I gather up a few books I love and share them with my readers. I call it Kidlit Karma. This month I’m sharing some of my favorite books for babies and toddlers. I’m also going to dive into child development to explain why these books work.

 

Simple Art

Babies can’t see that well. Newborns’ vision is hazy – they like high contrast because it’s easy to see. You’ll often find the youngest babies staring at, say, a black object against a white background. Or a dark ceiling fan moving against a white ceiling.

By a few months old, babies vision has improved a lot but they often have a hard time understanding 2-D representations of objects.

So, books for babies and toddler often have high-contrast, easy-to-interpret pictures. For the youngest, single images on white backgrounds can be a good choice.

Book cover: RhymOceros

Rhymoceros by Janik Coat

 

Even for toddlers, simple graphics are easier for them to understand.

Book Cover: Wee Beasties: Huggy the Python Hugs Too Hard

Wee Beasties: Huggy the Python Hugs Too Hard by Ame Dyckman and Alex Griffiths

 

Faces Are a Fave

Babies love faces for pretty much the same reasons we adults do: they give us a lot of important information. We look at a person’s face to identify them and to tell what that person is feeling. Watching someone’s face while they talk also helps us figure out what they are saying. For babies who are still learning speech, it’s doubly helpful. That’s probably why babies are hardwired to stare at faces.

So books with lots of faces are a winner, especially with the younger babies and toddlers.

Book Cover: Making Faces: A First Book of Emotion

Making Faces: A First Book of Emotions

 

Babytalk and Rhyming Books

Babies love “baby talk” and it’s good for them. Forget what Great Aunt Bertha told you about only talking to your baby like a grown-up. Baby talk exaggerates the sounds of speech which makes it easier for babies to figure out the sounds they’re hearing and put those together into words. So go ahead and talk to babies in whatever way feels natural to you.

The sing-songy cadence of many rhyming books, help capitalize on this tendency. (Writers: be aware that babies are not less discerning than adults. If you write in rhyme, it needs to have PERFECT rhyme and meter.)

Book Cover: Moo Baa La La La

Moo, Baa, La La La! by Sandra Boynton

 

Repetition

Babies love repetition. They drop the same toy over and over to see if dad will still pick it up, they never tire of peekaboo, and they will gladly have you read the same book over and over and over. While at times it’s infuriating (like the 5th time the bowl of oatmeal gets dropped to the floor), it has an important purpose: babies and toddlers learn best through repetition.  Like little scientists, they’re testing if the oatmeal really drops every time. They’re also learning social information: “Will dad pick it up every time?” “Why is his mood changing as I keep dropping this?”

So many books use some kind of repetition: like the repeated phrase “Ciao!”

Book Cover: Ciao, Baby! In the Park

Ciao, Baby! In the Park by Carole Lexa Shaefer and Lauren Tobia

Or a repeated action like “besos.” (Kisses.)

Book Cover: Besos for Baby a Little Book of Kisses

Besos for Baby: A Little Book of Kisses by Jen Arena and Blanca Gomez

 

Toddlers Need to Move

Speaking of actions, getting a toddler to sit still is a lost cause. They’re busy little beings. It’s easy to read with an immobile baby – harder to keep a toddler still and focused. So many books for toddlers include some kind invitation to action to help keep them engaged with the book. 

That could be an action built right into the page, such as lifting a flap or holes designed for little fingers to poke into.

Book cover: Do Cows Meow?

Do Cows Meow? by Salina Yoon

Or it could be an invitation to action: mentioning movement is a natural invitation to move.

Book cover: Barnyard Dance!

Barnyard Dance! by Sandra Boynton

 

Sturdy Pages and Rounded Corners

Babies will put pretty much everything into their mouth. It’s a way for them to explore the world by adding the sense of taste and touch (lips and tongues are very sensitive).

Babies and toddlers are also still working on fine motor skills – such as the ability to grasp and flip a book page without tearing. They need to explore the world and practice these fine motor skills – but it can be murder on a book.

So most baby and toddler books are board books – those chunky cardboard-style book pages that can withstand chewing, banging, other forms of baby love. They even have rounded corners to prevent an eye or mouth from being poked.

Photo of book: Goodnight Jesus with corner chewed off by toddler
Photo courtesy of Summer Kinard at https://summerkinard.com/2016/11/02/goodnight-jesus-board-book-review/

 

Adults Have to Like Them Too

Since your baby will be asking to reread the same book 10,000 times (and they will), books also have to please the adult doing the reading. A newer trend is to write book series’ that focus on topics of interest to a parent (like science, great literature, etc.), but at a level simplistic enough for a baby. No, your toddler won’t be doing astrophysics calculations in their crib. They’re in it for the baby faces and birdies, but the parent can appreciate the science.

Book Cover: Baby Loves Aerospace Engineering

Baby Loves Aerospace Engineering by Ruth Spiro

Book Cover: The Wonderful Wizard of Oz: A Babylit Colors Primer

The Wonderful Wizard of Oz: A Babylit Colors Primer by Jennifer Adams and Alison Oliver

Putting It All Together

Most books will have a few of these features. Take my two books, Goodnight Jesus and I Pray Today.

Book Cover: Goodnight Jesus

Goodnight Jesus has:

  • beautiful, but simple art
  • faces on nearly every page (yay, icons!)
  • sing-songy rhymes
  • a repeated action (kissing) that little readers can do
  • sturdy pages

Book Cover: I Pray Today

I Pray Today has:

  • beautiful, simple art
  • faces on every page
  • sing-songy rhymes
  • a repeated phrase (Lord have mercy.)
  • which can be an invitation to a repeated action (saying the prayer and making a cross)
  • sturdy pages

And like a baby book on astrophysics, both of mine have bigger ideas at their core. That gives them a long lifespan for little readers and makes it interesting for the adult readers.


I hope you’ve enjoyed this week’s book tour! I’ve had fun writing on a lot of different topics on a lot of different blogs. If you missed them, you can still find them here:

Blog tour for "I PRAY TODAY"

 

I PRAY TODAY Blog Tour Day 4

Blog tour for "I PRAY TODAY"

It’s day 4 of my blog tour! If you haven’t already, check out the Day 1 post at Raising Saints, the Day 2 post on Orthodox Motherhood, and the Day 3 post on the Time Eternal blog.

Today I’m over on Charlotte Riggle’s blog talking about using children’s books for teaching kids. Check it out:

 

READ THE POST

 

Blog Tour for I Pray Today

Blog tour for "I PRAY TODAY"

Big news! A couple of weeks ago my second book, I Pray Today, was published by Ancient Faith Press. And next week I’m celebrating with a blog tour. I’ll be visiting blogs of fellow Orthodox writers and bloggers and covering a wide variety of topics:

  • Parenting
  • Teaching with children’s books
  • Prayer
  • Family life
  • Writing

Sign up now for daily emails linking to the day’s post.

You can also follow along on Twitter by following me at @aisaacswrites or look for the hashtag #ipraytoday

So where will I be?

I’m super excited, so I hope you’ll join us!

 

New Book: I Pray Today! and How Authors Feel on Their Book birthday

Book "I Pray Today" on a white background with flowers

Today is the day! My second ever book is officially published. It’s a real book that you can buy over at the Ancient Faith Store.

 

There aren’t really words to convey how I feel, so today’s post is brought to you by gifs.

 

This is how it feels to be an author on your book birthday:

Book birthdays are exciting.

Little girl with huge smile

Authors feel a bit too excited.

But you also know you wouldn’t have gotten here without help. A LOT of help. So you’re feeling a bit misty about all the supportive family members, critique partners, beta readers, editors, illustrators, art directors, and marketing people who made this happen.

So you spend the whole day just wanting to hug the universe and thank them that this amazing thing happened.

Woman drawing a heart in the air

And at some point, someone will say something nice about your book. “Cute cover!” “Congrats!” “Can’t wait to read it!” Whatever it is, you feel overwhelmed that people care about a thing you made.

But if you write for kids, the best days are still to come. Every single time a parent tells you that their kid loves your book. Or shares a picture of a kid reading it. Or leaves a review on Amazon or Goodreads. Every. Single. Time, your heart will well up bigger than the Grinch.

Video from grinch movie: Grinch sliding down a hill while an x-ray screen shows that his heart is growing in size.

And it literally never gets old. Ever.

 

BUY I PRAY TODAY

5 Surprising Things About Publishing A Children’s Book

5 Surprising things about publishing a children's book

In two months, my second book for children, I PRAY TODAY, will be published by Ancient Faith Press. When I did this the first time with GOODNIGHT JESUS, there were things that surprised me about the process.

How many of these did you know?

 

1. BOOK PUBLISHING TAKES A LONG TIME

FLORIS BOOKS - Inforgraphic flowchart of the publishing process

 

I wrote the first draft of GOODNIGHT JESUS when my oldest daughter was a year old. By the time it was published, she was six. That’s not uncommon.

I wasn’t totally unprepared for this. Before I started writing for children, I was an PhD student. Academic publishing is notoriously slow. When I submitted research papers for review, I had to wait 6 to 9 months for a response.

Then I was a freelance writer working with textbook publishers. Even though I wasn’t writing the textbook, I got an idea of how involved the process is. I dealt with editors, copyeditors, the person who checks copyrights, the contractors drawing the diagrams, the fact checkers, the authors, … The lists goes on.

Floris books put together an infographic flowchart above to show just how involved the publishing process is. And this isn’t even for an illustrated children’s book. My editor Jane Meyer who also authors her own children’s books shared a blog post showing the process for a children’s book. Because the artwork is so important to illustrated children’s books, the process is more involved and more expensive than for an adult book.

In the children’s book market, two years from acceptance to published book is a good turn around. GOODNIGHT JESUS was around 2.5 years from acceptance to publication. I PRAY TODAY will be 1.5 years. Understand that it takes time for everyone to do their jobs at every step of the process. No, that doesn’t make it any easier to be patient.

Also, if you ask me how the book is going, don’t be surprised if I have no idea.

 

2. YOU DON’T GET TO PICK THE ILLUSTRATOR – AND THAT’S OK

Goodnight Jesus interior pages

One thing that consistently surprises people is that children’s book author’s don’t pick their illustrator. Not every publishing house or every editor does things the same, but this is consistent. Someone at the publishing house – an editor or art director usually – picks the illustrator.

The author also doesn’t get a lot of say over what the images will look like. So if the editor thinks your story is best told with space aliens instead of the bunnies you envisioned, then you get aliens. Maybe you had pictured your story taking place in a big house in the country, but the illustrator draws it as a big city apartment.

Editors also get cranky if you include too many art notes (notes specify what the illustration should look like on a page). So unless you need a specific image for the text to make sense, leave out the art notes. In GOODNIGHT JESUS there was just one art note. The line “A kiss for George – reach higher!” doesn’t make much sense without the art note: “Child is too short to reach the icon.” That’s it. The only art note in the whole thing. Yes really.

Most writers cringe at the thought of losing control of their story like this. And most readers are flabbergasted as to how you get a coherent story that way. But believe me when I say that 999 times out of 1000, it works out.

Here’s the thing: editors, art directors, and illustrators are really good at their jobs. They can envision artwork that will not just compliment your story but actually make it better. When I envisioned GOODNIGHT JESUS, I imagined a child interacting with static icons. One of the other brilliant people came up with the idea to put the baby right there in Jesus’s arms. It makes these people alive and engaging. It’s also a powerful statement of faith and child-like perception. And it’s something I never would have thought of.

As hard as it is for authors to give up the control, it frees the illustrator and art director to come up with their own vision. Would they have thought of this if I had laid out my vision in explicit detail? Probably not.

So I’ve learned to sit back and watch in awe as these people work their magic. And I feel super appreciative that they are making my work look so good.

 

3. HOW MUCH WORK I HAD AFTER THE MANUSCRIPT WAS ACCEPTED

My manuscript was accepted! Time to sip wine and wait for the checks to roll in, right?

No.

Not at all.

No matter how perfectly polished you think your story is, something will need to change. 

Look back at the inforgraphic in #1. See how many times it says that the author is doing something. Yeah.

For awhile your manuscript will disappear into the publishing black hole as it works it’s way through the invisible stages of publishing. But soon enough, they’ll be putting you to work. First comes the editor’s take: a marked-up version of your manuscript with notes about unclear passages, weak words, and bumpy meter, for instance. Even in my super sort manuscripts, there were changes to be made. Once I finished the edits, it went back into the black hole for a bit longer.

Because GOODNIGHT JESUS and I PRAY TODAY are both board books, they’re very short and had few edits to make. (I still find it weird to submit a “book” that’s shorter than some of my grocery lists. But I digress.)

Eventually, it lands on the desk of the copyeditor who inevitably finds a whole pile of missed commas, punctuation errors, and other silly mistakes. They send me a corrected version and ask me to look over it. I cringe at my mistakes and thank all of creation that someone caught them before I got to look like a fool in print. And I work as an editor – it happens to the best of us.

And then the early illustrations are done and they ask for feedback. And then the proofs need to be looked over (digital copies of the pages as they will appear in print). And then… you get the idea.

The exact amount of back and forth depends on the publishing house, but there are always edits to be made and things to do. Instead of feeling defensive when other’s find errors, I think about how awesome it is to have so many people working so hard to make my work the best it can be.

 

4. HOW HARD IT IS TO NOT SHARE THE EARLY ARTWORK

 

This may just be me, but every sneak peek at the artwork makes me super excited. I just want to shout out to the rooftops “I WROTE A THING AND SOMEONE MADE REALLY PRETTY PICTURES FOR IT!” And then I would hold them hostage while I make them look at all the pretty pictures. It’s a little like having a new baby – you have to show everyone just how darn cute it is.

But there’s also this thing called copyright. And marketing plans. And other adult things I’m forgetting that also mean it’s a bad idea for me to post everything on the internet.

So instead I post when I can and save my intense enthusiasm and forced photo appreciation for my immediate family. You’re welcome.

 

5. HOW MUCH WORK THERE IS AFTER THE BOOK IS PUBLISHED

Ok, so my two-ish years are nearly up! The illustrator and all the people at the publishing house have done their magic to make my book as wonderful as possible. It’s being printed out and will soon be a real book!

So now can I sip wine and wait for the checks to roll in?

Uhm, no.

Once upon a few decades ago, a publisher could put out a book and people would just buy it. There are a lot more books being published these days (yay!) which means that there is a lot more competition (boo!). So unless you’re already a household name, expect to spend some time on marketing your new book – a website so your readers can find you, social media so you can keep in touch, connecting with readers through school visits and speaking engagements, … None of these things are strictly required, but they do help potential readers connect with your work. I happen to enjoy such work, so expect to see website changes and social media posts about I PRAY TODAY in the near future.

But hey, soon I can go full fan-girl over this fabulous thing I made. (Or is that just me?)

With two months left before I PRAY TODAY is fully birthed into the world, I’m still having to keep my enthusiasm to myself. But expect to hear a lot more soon.