Category: life

Announcement: Visiting Scholar and October Author Visits

I don’t know about you, but September was a whirlwind!

October is looking to be just as chaotically and beautifully busy. I’ve got a full load of travel and speaking engagements this month.

This week I’ll be at Purdue University as a visiting scholar! I’m leading workshops for a picture book writing class and giving a public talk:

Screenshot of Purdue talk description. Title: A Peek Inside the Children's Book Industry

I’m looking forward to being back in the classroom. Better yet, I get to talk about kidlit for nearly a whole week!

The only thing better than talking about kidlit, is sharing my books with real kids. I’m also working on scheduling author visits to parishes in Louisville, Kentucky, and Chicago, Illinois. Check back for details!

If you’re interested in having me visit your parish or class, contact me to find out details.

 

Kidlit Karma Reviews: July 2018

 KidlitKarma: July 2018 book reviews

At the end of 2017, I made a pledge. I challenged myself to review good books every month in 2018, particularly books that haven’t gotten as much love as I feel they deserve. I call it Kidlit Karma because I’m aiming to spread the love for books that I love.

This month’s collection of books are all inspired by my eldest daughter, who is a struggling reader. Yes, children of writers can be struggling readers. So can bookworms. Though I was never diagnosed, I strongly suspect I’m mildly dyslexic.

Yes, writers can be dyslexic, too.

If all of this is throwing you for a loop, I recommend the book The Dyslexic Advantage. Not every struggling student is dyslexic, but for the 1 in 5 students who are dyslexic and the adults that love them, this book is revolutionary.

Cover art for THE DYSLEXIC ADVANTAGE

What if I told you there were books that are easy to read and enjoyable enough that even struggling readers will willingly devour them? 

It’s not magic, it’s graphic novels. 

So here’s the part where you start telling me that these aren’t real books, etc. Is a child reading a comic getting practice at decoding words? Are they having fun and learning to like reading so they will want to read more in the future? Yes and yes. And that will make them a better and more willing reader later.

I’m not the only one that thinks graphic novels are a boon to struggling and reluctant readers. 

Here’s why: Graphic novels tend to have more complex plots (befitting an older child) while having simpler language and smaller wordcounts appropriate to a struggling reader.

It’s about buy-in. My eldest listens to audiobook novels for kids twice her age. So she detests having to read easy readers. Something with a real plot that’s within her ability is very welcome.

Graphic novels have been the gateway for many readers. When you see a child who has struggled for years, picks up a book an inch thick and read it in 5 hours straight – there’s nothing to match their excitement at reading a “BIG” book or your pride at seeing the many hours of hard work come to fruition. And because of that success and excitement, she has read voraciously every since.

Maybe it is magic after all.

So with that in mind, here are some of our favorite graphic novels to get you started.

 

Graphic Novel: GHOSTS by Raina Telgemeier

Cover art for GHOSTS by Raina Telgemeier

Cat is not happy about having to move to a new town, but her little sister Maya is sick and they have to make the move to keep her healthy. Once they move, they discover that the town is haunted. But are the ghosts evil or friendly?

This story weaves together the kind of complex social struggles of a middle grade novel with the Mexican custom of the Day of the Dead. I present this book as a refute to the claim that graphic novels don’t involve brilliant bring-you-to-tears storytelling.

Raina Telgemeier has many more award-winning graphic novels, so make sure to check them all out.

Get GHOSTS on Amazon

 

Graphic Novel: ZITA THE SPACEGIRL series by Ben Hatke

Cover art for ZITA THE SPACEGIRL by Ben Hatke

Zita is a normal girl until her best friend is kidnapped by an intergalactic group. Now she’s on a rescue mission on a doomed planet with some unlikely companions.

My daughter got the first Zita book as a gift from her best friend. Since then, the whole family has read and reread all the books. These beloved books have earned a permanent place in our library.

Get ZITA THE SPACEGIRL on Amazon

 

Graphic Novel: PHOEBE AND HER UNICORN by Dana Simpson

Cover art for PHOEBE AND HER UNICORN by Dana Simpson

Phoebe is out skipping rocks one day and smacks a unicorn, breaking her from the spell of her own reflection. As thanks for freeing her, the unicorn grants her one wish. Phoebe’s wish: to be best friends with a unicorn. But she gets a bit more than she bargained for.

My husband was the one to discover this series. It was originally posted as a webcomic and we both fell in love with the humor and wit. We introduced it to our daughter, and that was that.

Get PHOEBE AND HER UNICORN on Amazon

 

Graphic Memoir: REAL FRIENDS by Shannon Hale

Cover art for REAL FRIENDS by Shannon Hale and LeUyen Pham

Making friends is not easy. It certainly wasn’t for shy little Shannon. And even when she had The Group to play with, she wasn’t sure they were friends worth having. Finding real friends is hard, but ultimately worth it.

This award-winning book is full of humor and heart. And though it’s set in the 70’s, the story is timeless

Get REAL FRIENDS on Amazon

 

Graphic Memoir: EL DEAFO by Cece Bell

Cover art for EL DEAFO by Cece Bell

A miraculous new invention gives young Cece the ability to hear for the first time. But school is hard enough without a bulky hearing aid. She enlists the help of her superhero persona El Deafo to take on the school and make friends.

Get EL DEAFO on Amazon

 

Graphic Novel: CATSTRONAUTS: MISSION TO THE MOON by Drew Brockington

Cover art for CATSTRONAUTS: MISSION TO THE MOON by Drew Brockington

The world has run out of electricity and it will be a permanent lights-out unless the brave Catstronauts can fix the problem.

What’s cuter than cats? How about cats in space! These books are a delight with a fun narrative, purrfect puns, and gorgeous illustrations. My kids giggled all the way through and eagerly asked for more.

Get CATSTRONAUTS on Amazon

 

6 Great Graphic Novels for Struggling Readers

5 Surprising Things About Publishing A Children’s Book

5 Surprising things about publishing a children's book

In two months, my second book for children, I PRAY TODAY, will be published by Ancient Faith Press. When I did this the first time with GOODNIGHT JESUS, there were things that surprised me about the process.

How many of these did you know?

 

1. BOOK PUBLISHING TAKES A LONG TIME

FLORIS BOOKS - Inforgraphic flowchart of the publishing process

 

I wrote the first draft of GOODNIGHT JESUS when my oldest daughter was a year old. By the time it was published, she was six. That’s not uncommon.

I wasn’t totally unprepared for this. Before I started writing for children, I was an PhD student. Academic publishing is notoriously slow. When I submitted research papers for review, I had to wait 6 to 9 months for a response.

Then I was a freelance writer working with textbook publishers. Even though I wasn’t writing the textbook, I got an idea of how involved the process is. I dealt with editors, copyeditors, the person who checks copyrights, the contractors drawing the diagrams, the fact checkers, the authors, … The lists goes on.

Floris books put together an infographic flowchart above to show just how involved the publishing process is. And this isn’t even for an illustrated children’s book. My editor Jane Meyer who also authors her own children’s books shared a blog post showing the process for a children’s book. Because the artwork is so important to illustrated children’s books, the process is more involved and more expensive than for an adult book.

In the children’s book market, two years from acceptance to published book is a good turn around. GOODNIGHT JESUS was around 2.5 years from acceptance to publication. I PRAY TODAY will be 1.5 years. Understand that it takes time for everyone to do their jobs at every step of the process. No, that doesn’t make it any easier to be patient.

Also, if you ask me how the book is going, don’t be surprised if I have no idea.

 

2. YOU DON’T GET TO PICK THE ILLUSTRATOR – AND THAT’S OK

Goodnight Jesus interior pages

One thing that consistently surprises people is that children’s book author’s don’t pick their illustrator. Not every publishing house or every editor does things the same, but this is consistent. Someone at the publishing house – an editor or art director usually – picks the illustrator.

The author also doesn’t get a lot of say over what the images will look like. So if the editor thinks your story is best told with space aliens instead of the bunnies you envisioned, then you get aliens. Maybe you had pictured your story taking place in a big house in the country, but the illustrator draws it as a big city apartment.

Editors also get cranky if you include too many art notes (notes specify what the illustration should look like on a page). So unless you need a specific image for the text to make sense, leave out the art notes. In GOODNIGHT JESUS there was just one art note. The line “A kiss for George – reach higher!” doesn’t make much sense without the art note: “Child is too short to reach the icon.” That’s it. The only art note in the whole thing. Yes really.

Most writers cringe at the thought of losing control of their story like this. And most readers are flabbergasted as to how you get a coherent story that way. But believe me when I say that 999 times out of 1000, it works out.

Here’s the thing: editors, art directors, and illustrators are really good at their jobs. They can envision artwork that will not just compliment your story but actually make it better. When I envisioned GOODNIGHT JESUS, I imagined a child interacting with static icons. One of the other brilliant people came up with the idea to put the baby right there in Jesus’s arms. It makes these people alive and engaging. It’s also a powerful statement of faith and child-like perception. And it’s something I never would have thought of.

As hard as it is for authors to give up the control, it frees the illustrator and art director to come up with their own vision. Would they have thought of this if I had laid out my vision in explicit detail? Probably not.

So I’ve learned to sit back and watch in awe as these people work their magic. And I feel super appreciative that they are making my work look so good.

 

3. HOW MUCH WORK I HAD AFTER THE MANUSCRIPT WAS ACCEPTED

My manuscript was accepted! Time to sip wine and wait for the checks to roll in, right?

No.

Not at all.

No matter how perfectly polished you think your story is, something will need to change. 

Look back at the inforgraphic in #1. See how many times it says that the author is doing something. Yeah.

For awhile your manuscript will disappear into the publishing black hole as it works it’s way through the invisible stages of publishing. But soon enough, they’ll be putting you to work. First comes the editor’s take: a marked-up version of your manuscript with notes about unclear passages, weak words, and bumpy meter, for instance. Even in my super sort manuscripts, there were changes to be made. Once I finished the edits, it went back into the black hole for a bit longer.

Because GOODNIGHT JESUS and I PRAY TODAY are both board books, they’re very short and had few edits to make. (I still find it weird to submit a “book” that’s shorter than some of my grocery lists. But I digress.)

Eventually, it lands on the desk of the copyeditor who inevitably finds a whole pile of missed commas, punctuation errors, and other silly mistakes. They send me a corrected version and ask me to look over it. I cringe at my mistakes and thank all of creation that someone caught them before I got to look like a fool in print. And I work as an editor – it happens to the best of us.

And then the early illustrations are done and they ask for feedback. And then the proofs need to be looked over (digital copies of the pages as they will appear in print). And then… you get the idea.

The exact amount of back and forth depends on the publishing house, but there are always edits to be made and things to do. Instead of feeling defensive when other’s find errors, I think about how awesome it is to have so many people working so hard to make my work the best it can be.

 

4. HOW HARD IT IS TO NOT SHARE THE EARLY ARTWORK

 

This may just be me, but every sneak peek at the artwork makes me super excited. I just want to shout out to the rooftops “I WROTE A THING AND SOMEONE MADE REALLY PRETTY PICTURES FOR IT!” And then I would hold them hostage while I make them look at all the pretty pictures. It’s a little like having a new baby – you have to show everyone just how darn cute it is.

But there’s also this thing called copyright. And marketing plans. And other adult things I’m forgetting that also mean it’s a bad idea for me to post everything on the internet.

So instead I post when I can and save my intense enthusiasm and forced photo appreciation for my immediate family. You’re welcome.

 

5. HOW MUCH WORK THERE IS AFTER THE BOOK IS PUBLISHED

Ok, so my two-ish years are nearly up! The illustrator and all the people at the publishing house have done their magic to make my book as wonderful as possible. It’s being printed out and will soon be a real book!

So now can I sip wine and wait for the checks to roll in?

Uhm, no.

Once upon a few decades ago, a publisher could put out a book and people would just buy it. There are a lot more books being published these days (yay!) which means that there is a lot more competition (boo!). So unless you’re already a household name, expect to spend some time on marketing your new book – a website so your readers can find you, social media so you can keep in touch, connecting with readers through school visits and speaking engagements, … None of these things are strictly required, but they do help potential readers connect with your work. I happen to enjoy such work, so expect to see website changes and social media posts about I PRAY TODAY in the near future.

But hey, soon I can go full fan-girl over this fabulous thing I made. (Or is that just me?)

With two months left before I PRAY TODAY is fully birthed into the world, I’m still having to keep my enthusiasm to myself. But expect to hear a lot more soon.

A Manual for Moving Forward: What Science Says about #kidlitwomen and #metoo

A Manual for Moving forward: what science says about #kidlitwomen and #metoo

The #metoo movement has swept the world. Last month, that tidal wave crashed into the kidlit community. It started with an article by author Anne Ursu on sexual harassment within the children’s book industry. She conducted an anonymous survey and shared her eye-opening results. Then things really took off with a post by the School Library Journal. I don’t often say this, but the comments are enlightening.

 

MOVING FORWARD

The kidlit community is still struggling with how to handle this situation. The Society of Children’s Book Writers and Illustrators (SCBWI) revamped their sexual harassment policy. Abusers have been formally barred from the organizations and conferences. Agents and publishing houses have been slower to drop abusers who they represent and have published, but it is happening. One publisher has even made the decision to delay publication of a book so it could be re-illustrated after the first illustrator was outed as a serial abuser. And women are banding together under the #kidlitwomen movement to take back our industry.

It’s a start. But if we’re going to reshape the kidlit community, we need more people acting to make that happen.

I’ve considered how I can contribute to #kidlitwomen and support my fellow female writers. My other great passion (besides writing) is science. In a former life, I was a PhD-track academic studying language and the human brain. So looking for answers naturally led to science and what it can tell us about this moment and this movement.

 

COGNITIVE DISSONANCE: Now what?

The recent revelations of sexual harassment in kidlit were jarring. (I wish I could say that’s it’s equally jarring to see how men have consistently been supported to the detriment of women, but many of us saw that one coming.)

It’s jarring partly because the view from the outside is a very loving and supportive community. And from the inside, that is the predominant experience. It’s one of the best communities I’ve ever been privileged to participate in.

But predominant experiences aren’t the only experience within our community. Some have experienced harassment, assault, and manipulation. Professional organizations have allowed this to continue for years.

Realizing that the mostly warm fuzzy community you love was also hiding predators is unsettling. Cognitive dissonance is the scientific term for this feeling. It’s the jarring sensation you get when you have two contradictory ideas. It’s like realizing your sweet uncle Bob, that always brought you the just-right book to shepherd you through the turbulent teen years, was also a hit man for the mob. It’s upsetting. It makes you question EVERYTHING.

You have two options:

  1. Deny or downplay the new information that caused the cognitive dissonance. (“Uncle Bob would never do that!” or “But he’s a really nice guy.” or “He’s just been having a really hard time in his marriage.”)
  2. Accept the new information and change your worldview. Taking apart your broken set of beliefs and putting them back together is a truer, better way. It’s uncomfortable, but in the end, it’s better. And it’s the only way to move forward.

Cognitive dissonance doesn’t have to be a bad thing. Reassessing is a necessary part of life. You might still care about uncle Bob, but given what you now know it would be plain stupid not to change how you interact with him.

So in this moment, when our view of the kidlit community has been flipped inside out, take a breath. Don’t resist the discomfort with a “no they didn’t” or “nothing is wrong” or “it’s not a big deal.” Resist the urge to defned or rationalize away what you now know.

Pause. Listen. Process.

Then let your worldview shift. Accepting and acting on this newly discovered reality is how we move on.

 

BYSTANDER EFFECT: How do I stop sexual harassment?

Ready to take action? Great! You’re determined to be a part of the solution and put a stop to sexual harassment. How do you do that? Let’s start somewhere a little easier.

Imagine you’re in a crowded grocery store – everyone is rushing to get food for the next big holiday. And in the middle of a crowded aisle, an older woman trips and falls. She’s sitting there, leaning against cans of corn beef.

You’re just as harried as everyone else – you’ve got food to buy, preparations to make, kids whining. Do you stop and ask if she’s ok? If she’s fine, you lose time, look a bit foolish, and maybe embarrass her. Lots of other people are there and none of them seem to be rushing to the woman’s aid.

Research says you’ll most likely keep going. It’s called the bystander effect – the more bystanders that see the little woman in the canned-meat aisle, the less each one feels responsible for her.

If you saw that same older woman trip on a remote mountaintop it would be obvious that you should act – no one else is around, and she has no other way to get help. But when you’re surrounded by other people, you don’t feel quite as responsible.

It’s often unclear if help is needed. The woman may just need a minute to regain her composure. Or she could have had a stroke. She might not be able to call out for help because of her physical condition in the moment. But if everyone is looking and waiting for someone else to act, then no one ever gets around to it.

There’s a really simple cure for the bystander effect.

  1. Know that it exists and realize that people are unlikely to act.
  2. Act on that realization.

It’s the same concept that underlies the phrase “if you see something, say something.”

Smile and say hi to the women. Maybe make a joke or tell an anecdote to put her at ease and relieve her embarrassment. “Sometimes I think they put ice on these floors.”

Then offer her a hand up. She may turn it down. She may gratefully smile back, take the hand up then finish her shopping. Or she may be unable to get up or unable to respond. No more ambiguity, call an ambulance. If you need help, single out a specific person in the crowd. Make it obvious that that person, yes, you in the red shirt are now responsible for calling the ambulance. Now you’ve broken through another person’s bystander effect, too.

Now imagine that instead of a feeble woman at the grocery, you’re in a crowded post-conference get-together. Lots of those lovely kidlit folk are chatting about their favorite topic – books! – while sipping wine. You notice a man putting an arm around a woman. She looks a bit uncomfortable but doesn’t pull away. Everyone else keeps chatting, unconcerned. She hasn’t pulled away or asked for help; does that mean she’s fine? Or is it like the lady in the grocery store where everyone is assuming someone else will act. Is she trapped by the social situation in the same way the grocery lady might be trapped by her physical situation? Anyone who has given in to middle school peer pressure knows that you can be manipulated by a situation or a powerful person, be they the popular girl, a schoolyard bully, or a sexual predator hiding among the kidlit sheep. Anne Ursu’s survey results were full of examples of situations where women did not feel they could speak out on their own behalf.

What to do? Like the lady in the grocery, if you see something, do something. Approach with compassion. Try to ease awkwardness and embarrassment. And if you sense a dangerous situation, get help.

If it were me, I would walk up and say “Excuse me, do you know where the ladies room is? Could you show me?” I’ve now engaged, I can better judge the situation. And I’ve given her a valid excuse to leave the situation on good social terms. She can choose to take the hand I extend or not. But if I sensed she was in real danger – like a man separating her from me, trying to pull her away, or preventing her from grabbing that metaphorical hand, I would be more direct. “You look uncomfortable. Do you need help? Would you like me to call someone?”

Would I be embarrassed? VERY. I would probably be beet red and feel like an intruder, but it’s important. If I misread the situation, they can laugh at me later. But if I didn’t….. I don’t want to be complicit through my lack of action.

So you reading this, yes you with the good intentions feeling uncertain how to proceed, step out of the crowd and act. Act when you see someone in need. Act even if you’re not sure help is needed. Act even though you feel embarrassed. Just ACT.

 

TEND AND BEFRIEND: How do I prevent sexual harassment?

Long ago, researchers found that people have one of two reactions to threat: fight or flight. So when you stumble into a bear in your backyard, you can either fight it or run away.

That research was based on men. New research found a wider variety of responses. They found that women, in particular, are more likely to protect their children and band together for group protection. Since scientists like rhyme as much as writers, they coined the phrase “tend and befriend.”

Tend and befriend is a powerful way of dealing with threats. You can see it in action in many cultures and times. When deforestation threatened the lives of people in Africa, it was women who banded together to replant the trees. In Liberia, women organized after 14 brutal years of civil war and won peace. In the US, women have banded together again and again to create change for women and minorities.

A single person may seem to have little power, but when those small actions are put together for a common purpose, they can effect enormous change.

So how can tend and befriend work for creating change in the kidlit community?

  • TEND: First, we need to protect the most vulnerable. That means protecting those that have already suffered sexual harassment. It also means creating protections for those who are more vulnerable such as women who may be harassed by a more powerful abuser. Or women of color who are doubly vulnerable. Acting in the moment is powerful and necessary. Tend to the woman at cocktail hour with the unwelcome arm around her shoulders.
  • BEFRIEND: If we want to effect large change and create a community where sexual harassment is not tolerated, we need to join together as a band of brave women and their allies. We are stronger together, so let’s use that power.

As a band of women and allies, we can push the gatekeepers of our industry to guard the gates and keep the harassers out. Agents, editors, conference organizers – we as a group should demand that all these people have clear policies and practices that protect us all. SCBWI has begun that process as have some agents. Perhaps others are doing it behind closed doors. But I won’t assume others will act, it’s too important. I will say something.

Throughout the month of March, many women and allies will be sharing their #kidlitwomen stories. Including many ways that we can work together to create a better community for everyone. I will be supporting those people by sharing their ideas and taking action. Be engaged on social media. One voice alone is quiet, many together is a roar that can’t be ignored.

 

YOUR MANUAL FOR MOVING FORWARD:

  • Listen and accept that something is broken within the kidlit community.
  • Shift your view to a healthier, truer one.
  • Decide to act.
  • If you see something, say something. Even if you’re unsure if help is needed. (Especially if you’re unsure.)
  • Support one another but especially tend to the most vulnerable in our community.
  • Band together and put all out small efforts together to create a big change in kidlit. A change that makes our whole community a safer place.

 

CLOSING

The #metoo and #kidlitwomen movements are much larger than I can address in a single post.  I limited myself to only discussing sexual harassment and how to prevent it. But I could easily have talked about the culture that allowed the harassment to occur. Or about how the system promotes male authors at the expense of female authors. Or how the double-whammy of sexism and racism makes it especially difficult for women of color. Or the role that men need to take to help us reshape this industry into something safer and more equitable for all. I’m leaving those topics to others who are better equipped to speak to that experience. We’re a band of brave women, after all. We don’t need to deliver every message, sometimes it’s enough to pass the microphone.

A Manual for Moving forward: what science says about #kidlitwomen and #metoo

Why Some Resolutions are Doomed to Fail and How to Set Goals That Work

Why Some Resolutions are Doomed to Fail and how to Set Goals that Work

Many people set New Years Resolutions. When you set resolutions the right way, you can push yourself to achieve big things. But there’s one trap we all fall into when setting resolutions and goals.

Let me give you an example.

My biggest 2017 goal was to get a literary agent. An agent will help me achieve my larger career goals by giving me more guidance, helping me produce the best possible work, and opening more doors.

So throughout 2017, I did all the things you’re supposed to do to get a golden ticket to the land of agented writers. I wrote a lot; I improved my writing through classes, webinars, and conferences; I read copious numbers of books; and I submitted widely but wisely.

I did all the right things. No agent.

Why? Because it’s true what agents say: sometimes the time isn’t right or the fit isn’t right or the stars just do not align in my favor. I came close, but it just wasn’t right.

I “failed” my goal despite having the most productive writing year of my life, despite getting a new book under contract, despite reading a bunch of wonderful books, and improving my writing craft.

Someone rightly pointed out that my goal was doomed from the beginning because it was a goal that was out of my control.

I can’t make an agent fall in love with my book. I can’t make the industry change to suit my writing style. I can’t demand that an agent with a full client list, make room for little ol’ me. All I can do is make myself the best possible writer and be ready when the stars do finally align in my favor.

So I flipped the perspective.

Instead of goals we can’t control:

  • I will get an agent
  • I will get a promotion at work
  • I will get a book deal

I’m dedicating myself to the type of goals I can control:

  • I will write, read, learn, and submit
  • I will exceed all deliverable goals at work
  • I will write daily

In the end, these things often amount to the same thing. Doing your best on the things you can control often leads to the outcomes you can’t control. I didn’t set a goal to have the most productive writing year of my life, but it happened because I aimed to write daily.

I didn’t get an agent this year. But I did set the groundwork to be the best writer I can be. In time, that will attract an agent. I just have to remember to keep doing the work and have faith.

When my stars align, I will be ready.

 

Check out this post to learn more about setting wise resolutions.

DOs and DON'Ts for New Year's Resolutions You'll Actually Keep

Ultimate Gift Guide for Writers

Ultimate Gift Guide for Writers

Tis’ the season for gift giving. It’s easy to know what writers want: a five-book deal at a top publisher. Barring, that check out these suggestions to help you find gifts for the writers in your life.

FOOD ITEMS

happy coffee

Caffeinated beverages

If you hang out with writers, you will soon learn that we love our caffeinated beverages.

Most writers don’t earn a full-time income from writing and may take many years to “make it.” Which means most of us write early in the morning or late in the evening and subsist on caffeine. Liquid motivation can go a long way to making the writerly lifestyle work around full-time employment and other life demands.

Or maybe there’s just something about a steaming cup of coffee that’s downright magical.

In any case, find out the preferred caffeinated beverage of your writer and go to town. Options include:

  • a sampling of teas
  • a really large bag of coffee
  • membership is a tea or coffee of the month club
  • Gift card to a coffee shop or tea house

Go ahead and spring for the good stuff. A really good cup of home-brewed coffee is a nice luxury at cents to the cup.

 

I turn coffee into books mug
From: https://www.etsy.com/listing/532010884/writer-mug-green-i-turn-coffee-into?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=mug%20write&ref=sr_gallery_8

Things to put caffeinated beverages into/make them with

Again, writers like caffeinated beverages. So why not give them the gift of making a swanky cuppa at home. Or a fancy mug to hold that steaming cup of inspiration.

Consider:

If you’re feeling crafty, you can even try one of the millions* of ideas on Pinterest for decorating a coffee mug with a permanent marker.

 

Writing with chocolate

Comfort foods/drinks

Aside from caffeinated beverages, comfort foods and drinks are also a good bet.

The path to success is paved with rejection and angst. The angst of showing your work to the world. The rejection when it’s not immediately accepted as the most amazing things since Harry Potter. The angst of wondering if you will EVER get published. The angst of worry when you finally are published. It doesn’t end.

Which is why, in addition to caffeinated beverages, writers are awfully fond of our comfort foods. Ferret out the comfort food of choice for your writer and then get creative. Common choices include:

  • Chocolate
  • Wine
  • Chocolate of the month or Wine of the month club

Like coffee and tea, a little splurge can go a long way. So skip the checkout chocolate bar and go for the Godiva.

 

STATIONARY

It is a truth universally acknowledged that a writer

must be in want of stationary

– Not Jane Austen

Ok, not as eloquent as Jane’s opening line about marriage, but it does seem true that writers love the physical tools of the trade. Even those of us that do our writing on a computer, still love the old-fashioned stuff.

 

Fountain pen

A Fancy Pen (or two)

A good pen is a wonderful thing. I like to use pens as a tangible celebration of accomplishments. Like a bottle of wine, I find the price bump from “mediocre” to “good” is not too bad. But you can easily spend upwards of “that could have been a mortgage payment.”

Here are two pens that I currently own and love but won’t break the bank:

If your writer is a true pen lover out there, check out these pen recommendations.

 

Notebook

Notebook or Journal

A nice notebook pairs well with those new pens your buying. If your favorite writer has not yet discovered the joys of Bullet Journaling, they will. Trust me. I give it a year or until they open an Instagram account, whichever comes first.

Whatever they’ll use it for, you really can’t go wrong with a nice notebook:

 

Traveler's notebook
From: https://www.etsy.com/listing/552819580/custom-travelers-notebook-cover-free?ga_order=most_relevant&ga_search_type=all&ga_view_type=gallery&ga_search_query=traveler%20notebook%20leather%20feather&ref=sr_gallery_21

Traveler’s notebook

Really want to wow your favorite writer? Let them know you believe in them and that you have impeccable taste? Well, let me introduce you to your newest obsession: traveler’s notebooks.

The concept is easy: It’s a leather cover with elastic strings that let you slip in and out different notebook inserts. All the joy of a new notebook but it just keeps going forever.

(I may be slightly obsessed.)

A traveler’s notebook is an investment. Do a favor for your favorite starving artist and make the investment for them.

You can buy from the Midori, the company that originated travelers notebooks, or you can choose one of about a million gorgeous examples from around the interwebs. For instance:

 

FUN

Ok, if you have made it this far and still haven’t found anything to give your favorite writer, try these:

Story Cubes Game

StoryCubes

Story Cubes are a fun and simple game, perfect for your favorite writer ages 8+. It’s simple – roll the picture dice, and use the picture you roll to help build a story.

 

Books

Books

I left this to last because it seems…. obvious….?

Every writer is also a reader. Period. And most of us could use help financing our book addiction. If you don’t have a book in mind, try one of these suggestions:

  • Gift card to a bookstore
  • Payment of library fines (No idea how this would work but boy would it be nice.)

The ultimate (and free) gift for any writer

Whatever you’re purchasing for your writer, there’s one thing you absolutely MUST give them: your support.

It’s simple. It’s free. But it’s the one thing most writers can’t do without.

Writing can be a lonely endeavor. It takes persistence and years of dedication. Let your writer know you support them.

Support can come in many forms:

  • understanding that a friend may need to stay in and write rather than hit the town with you
  • knowing that it’s a long process and that lack of tangible progress (like a book on Amazon) is not a sign of failure
  • gifting them with the time to write
  • realizing that this is a commitment and a passion, not a hobby

However you show it, shower your writer with support, and they will thank you every time.

My October: Back Pain, Binge Reading, and NaNoWriMo

Three weeks ago, I threw out my back. It’s not the first time and won’t be the last.

I’ve been trying to convince myself that this is like a forced vacation. A chance to catch up on reading and Netflix.

I have, indeed, done a ton of reading. According to Goodreads, I’ve clocked an average of one middle grade or young adult book every two days. That’s great for my 2017 reading challenge, but the novelty has worn off.

2017 Goodreads Books reading challenge status

So now that I can sit upright again (at least for awhile), I’ve been back to writing.

And with November on the horizon, that means NaNoWriMo.

This will be first year participating in NaNo – the challenge to write a 50,000 word novel in November. In my case, I’ll be writing a middle-grade novel, so I’m aiming for closer to 30,000 words.

Last year, I was hesitant. I had never written any fiction longer than a short story. I wasn’t sure I could maintain a story for that long. So I signed up for a NaNo account but never did much.

Then this summer, an idea hit critical mass. It had been simmering on my brain’s back burner for months before suddenly hitting a roiling boil. After some intensive brainstorming, the entire rough draft came together in about four weeks.

Rough draft is the key phrase. I knew from the get-go that I would need many rounds of revisions. I was not wrong. In my first pass of revisions, I had to backfill character motivations, add subplots, and make sure my characters were three dimensional. It’s a work in progress, but I can already see it taking shape.

I was not wrong.

In my first pass of revisions, I had to backfill character motivations, add subplots, and make sure my characters were three dimensional. It’s a work in progress, but I have hope that I’ll come out the other side with something people want to read. More importantly, I have confidence now.

So this year I’m embracing NaNo wholeheartedly. This idea has been simmering for a few months now. I’ve been itching to work on it. Now that other projects are wrapping up, I’m ready to stoke up the fire and get things going.

Plot twist: it will be my first historical fiction piece. It’s the perfect marriage of my love of story and my love of nonfiction.

I’m using the month of October to prepare (Preptober). For most NaNoers that means fleshing out characters, figuring out plot points, and the like. I’m doing all that plus having to research the real events and places where my novel is set.

Right now I’m neck-deep in research. I’m not quite drowning, but I do feel a bit seasick.

I just hope that by November, I’m back on my feet, literally.

 

 

 

Happy Birthday, Goodnight Jesus!

 

Happy Birthday, Goodnight Jesus
Thanks to Emma at Charming the birds from the Trees for letting me use her lovely photo.

I can’t believe it. It’s been a whole year since my first book, Goodnight Jesus, was published.

I’ve been feeling a bit mushy about this all month. Publishing a book is a big deal. Years of work and effort go into it. And then to see people hold it in their hands, to hear them tell you how much their children love it…. It’s a feeling that’s hard to describe.

Can I let you in on a secret, though? I have no idea what this book’s birthday is.

Usually, that date is tattooed on your heart right after your wedding anniversary and your children’s births. But after years of waiting for a signed contract to become a book, I missed it.

The week that Goodnight Jesus was published was a blur for me. I was sitting at my stepmother’s bedside in hospice as she lost a battle with cancer. That week I lost a stepmother and gained a book.

Like I said, mushy.

It’s now been a year. All my plans for book launch happened eventually. Announcement and blog posts rolled out over the next weeks and months. The Goodnight Jesus activity pages I wrote took a bit longer.

I guess Goodnight Jesus is written on my heart after all. But it’s written with a name rather than a date.

Here’s to you, Bettie.